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Ho Rui An

FIELD MEETING | Take 4

November 12, 2016 | Hosted at Asia Society Museum, New York City

Horizon Scanners

Investigating the rise of speculative aesthetics as a practice of futurecraft in a post-securitization crisis era, the artist examined various futures and “horizon scanning” programmes run by the Singapore government, devised to anticipate “black swans” or rare, hard-to-predict events of great consequence. To quote one futurist, the new tools of futurecraft are no longer “maps” but “metaphors”. Accordingly, this marks a shift in the tools of governance from “big” data to the“small” storytelling workshop. So what are the stories we allow ourselves to tell? And what are the stories that still remain to be told?

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BIOGRAPHY
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FIELD MEETING
NEW YORK
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PRESS RELEASE
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PRESS COVERAGE
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Ryujin II, 2014. Acrylic and fluorescent pigments on Japanese mulberry paper, 7.9 x 37.4 f
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